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Crew safely rescued after U.S. military helicopter goes down near Strait of Hormuz; Trump vows response to attack

A U.S. Army AH-64 Apache helicopter went down near the Strait of Hormuz on Monday, prompting an investigation into what caused the aircraft to be lost during operations in one of the world’s most strategically sensitive waterways. UU.S. Central Command (CENTCOM) said the two crew members were rescued and remained in stable condition after the incident off the coast of Oman.

The incident occurred amid renewed tensions involving Iran, Israel and the United States following recent exchanges of military strikes that have strained efforts to preserve a fragile ceasefire. The Strait of Hormuz, a critical route for global energy shipments, has remained a focal point of regional security concerns throughout the conflict.

Military officials said the helicopter’s crew was located in the water and recovered within roughly two hours. The rescue marked a notable operational milestone, as a U.S. Navy unmanned surface vessel from the 5th Fleet’s Task Force 59 was used to help find and retrieve the soldiers before they were transferred to a helicopter for extraction. Officials described it as the first known rescue of its kind involving the Navy’s maritime drone program.

Questions remained Tuesday over whether the helicopter was brought down by hostile fire, suffered a mechanical failure or encountered another problem. President Donald Trump told reporters that the pilots were “fine” and said additional information would be released after officials completed an initial review. Later, Trump attributed the incident to hostile Iranian actions, using his social media platform to announce the development and promise a decisive response from Washington. “I have just been informed by our Great Military that last night the Iranians shot down one of our highly sophisticated Apache Helicopters while patrolling over the Strait of Hormuz,” Trump wrote on Truth Social. While expressing relief over the safety of the crew, the president emphasized the gravity of the encounter, stating, “There were two pilots involved, both are safe and uninjured. Nevertheless, the United States must, of necessity, respond to this attack.”

The loss of the Apache comes as U.S. forces maintain an elevated presence across the region and diplomatic efforts to ease tensions continue. While Iran acknowledged reports of the incident, it did not immediately provide details. U.S. authorities said investigators would interview the crew and examine available evidence before determining what caused the helicopter to go down.

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Nick Reiner seeking access to $1.5M trust fund to finance legal defense in parents’ killings

Nick Reiner, the 32-year-old son of late Hollywood icon Rob Reiner and photographer Michele Singer Reiner, has petitioned a Los Angeles probate court to release money from an independent trust fund to pay for his legal representation and basic incarceration costs. Reiner is currently jailed awaiting trial on two counts of first-degree murder for the stabbing deaths of his parents at their Brentwood estate in December 2025. He has entered a plea of not guilty to the double homicide charges.

According to a petition filed by Reiner’s legal counsel, Anita P. Wu and Geoffrey A. Neri, the trust was originally established for him in 1993. Legal filings indicate that according to mandatory parameters set by his parents, half of the trust should have been distributed unconditionally when Reiner reached the age of 30, with the remaining portion scheduled for disbursement when he turns 35. The defense asserts that the financial manager of the fund has withheld the required funds and failed to disclose the total valuation, which Reiner alleges exceeds $1.5 million.

His attorneys contend trustee Paul R. Kanin has improperly withheld the funds based on concerns about Reiner’s competency, despite no court ruling declaring him legally incapacitated. High-profile defense attorney Alan Jackson originally spearheaded Reiner’s legal team but formally withdrew from the proceedings on Jan. 7 after the defendant ran out of funds to sustain his private counsel. Reiner is currently relying on an assigned public defender, but he intends to re-engage Jackson’s firm if the probate court forces the release of his inheritance. The filed petition highlights that “Nick loved his parents, and he is devastated by their deaths. But the facts about what did and did not happen to them are not at issue in this Trust litigation. Like anyone accused of a crime, Nick is presumed innocent, and he is entitled to mount his defense with the resources that are lawfully his own.”

In addition, the petition noted that Reiner requires financial resources to maintain his jail commissary account, characterizing the ongoing denial of resources as an error in oversight by the trustee, stating, “Given the present circumstances, it is an abuse of the Trustee’s discretion to refuse those requests. Nick is currently awaiting trial on double homicide charges. No use of his funds could be more important.”

The ongoing criminal proceedings have progressed slowly through the California court system following Reiner’s arrest, which occurred hours after authorities discovered his 78-year-old father and 70-year-old mother dead on Dec. 14. Separate background details from individuals with knowledge of the investigation indicate that Reiner had experienced modifications to his prescribed medication for schizophrenia prior to the fatal encounter.

Prosecutors have not yet decided whether to seek the death penalty if Reiner is convicted. Much of the criminal case remains under seal, and a preliminary hearing is scheduled for September. The dispute over the trust will proceed separately from the murder case. Representatives for the trustee and Reiner’s siblings, Jake and Romy, have not issued official statements regarding the brewing probate fight.

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Country Daypop

Bailey Zimmerman drops studio version of Miley Cyrus’ “The Climb”

Bailey Zimmerman has officially released his cover of The Climb, the inspirational ballad made famous by Miley Cyrus in her ‘Hannah Montana’ era.

The song first gained momentum during Zimmerman’s debut arena run, the ‘Different Night Same Rodeo Tour,’ where he began performing it live. Audience reaction quickly turned the cover into a standout moment of the show, spreading widely across social media and becoming a fan favorite.

Originally written by Jessi Alexander and John Shanks, “The Climb” debuted in the 2009 film Hannah Montana: The Movie, part of Cyrus’s breakout Disney franchise that ran from 2006 to 2011 alongside her father, Billy Ray Cyrus.

Zimmerman said the overwhelming response from fans pushed him to officially release it. “I haven’t covered many songs in my career but over the last few months of playing this night after night and seeing all the excitement from everyone, not only at the shows but online as well, just made me want to get it out to y’all… thank you [Miley Cyrus] for giving us this absolute banger,” Zimmerman shared on Instagram.

Zimmerman’s latest elease follows his recent collaboration “Just Believe” with Grammy-winning Christian artist Brandon Lake and continues the momentum of his latest 18-track album, which inspired the title of his ongoing ‘The Different Night Same Rodeo Tour.’  The tour spans across 30 North American dates before heading to Europe later this summer, with stops including major cities like London, Dublin, Amsterdam, and Stockholm, before wrapping in Oslo. Rising artists Hudson Westbrook, Blake Whiten, and Chandler Walters are joining as supporting acts on select legs.

Stream Zimerman’s version of ‘The Climb’ – HERE.

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Country Daypop

Clint Black and Midland set co-headlining fall tour dates

Clint Black and country trio Midland will join forces for a limited co-headlining tour this fall, unveiling eight concert dates across the eastern and central United States.

The brief concert run is scheduled to kick off on October 8 in Charlotte, North Carolina. From there, the artists will travel through the Midwest and South, including a special appearance on October 9 at a charity concert in Indianapolis benefiting the Indy Public Safety Foundation. The tour will also visit venues in Missouri, Kentucky, Alabama, and Virginia before concluding on October 24 in Glen Allen, Virginia.

The artists recently collaborated on the song “Up In Texas,” which appears on Midland’s forthcoming album Stages, due June 12. Midland members Jess Carson and Cameron Duddy contributed to the writing of the track, which pays tribute to notable people, places and cultural touchstones associated with Texas.

For ticket information head HERE.

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Entertainment Daypop

Elisabeth Moss to star in new Hulu legal drama ‘Conviction’

Elisabeth Moss has signed on to star in Hulu’s new legal drama Conviction, marking another major collaboration between Moss and the platform following The Handmaid’s Tale (which ran for six seasons from 2017-2025.)

Based on a 2023 novel by Jack Jordan, Conviction centers on Neve Harper, a driven defense attorney played by Moss. Her career takes a pivotal turn when she lands a high-stakes murder case—but things quickly spiral as she becomes the target of blackmail, forcing her to make difficult choices that could expose her own hidden past.

The official description explains: “Moss will play Neve Harper, a defense attorney who finally has her shot at a career-making case: a high-profile murder where the husband is accused of killing his wife by setting their home on fire,” tBut when a mysterious stranger begins blackmailing Neve, she is forced to compromise every legal, moral, and ethical obligation to gain an acquittal — or else risk her dark secrets being exposed.”

The project is written and overseen by David Shore, known for creating House and The Good Doctor. He also executive produces alongside Moss, Warren Littlefield, and Bert Salke, with the show produced by 20th Television.

Conviction adds to Moss’s ongoing work with Hulu, where she also executive produces the series The Testaments, the sequel to The Handmaid’s Tale. She can also currently be seen alongside Kerry Washington and Kata Mara in Apple TV’s Imperfect Women, which premiered in March.

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Katy Perry, Future, Tyla and more to headline FIFA World Cup 2026 Opening Ceremony

FIFA has unveiled a major lineup of international music stars for the opening ceremonies of the 2026 FIFA World Cup, which will kick off with celebrations spanning the United States, Mexico, and Canada for the first time in tournament history. In the United States, Katy Perry, Future, Anitta, Lisa, Rema, and Tyla will lead the festivities on June 12 at SoFi Stadium before the U.S. faces Paraguay in the tournament opener.

The 2026 tournament, running from June 11 through July 19, will be jointly hosted by the United States, Canada, and Mexico across 16 cities. Additional opening ceremonies will also take place in Toronto and Mexico City, creating a continent-wide launch for the expanded competition. FIFA says this marks the first time multiple countries will host opening celebrations for a single World Cup.

Canada’s event at BMO Field will feature performances from Alanis Morissette, Alessia Cara, Jessie Reyez, Michael Bublé, and others ahead of Canada’s match against Bosnia and Herzegovina; while, Mexico’s celebration at Azteca Stadium on June 11 will include performances by J Balvin, Maná, Los Ángeles Azules, Alejandro Fernández, Belinda, and Danny Ocean before Mexico takes on South Africa.

FIFA President Gianni Infantino said in a statement: “This opening ceremony in Los Angeles represents the extraordinary scale of what the FIFA World Cup 2026 will become. The lineup of artists reflects the cultural diversity of the United States and the vibrancy of its many diasporas, highlighting the nation’s rich influence on music, entertainment and pop culture, while showcasing the power of music to bring people together across the country.”

The opening ceremony lineup coincided with the news that for the first time in FIFA World Cup history, the tournament final will include a halftime performance inspired by the Super Bowl format. Madonna, BTS and Shakira are set to headline the World Cup on July 19 at MetLife Stadium – temporarily renamed New York New Jersey Stadium for the event.

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Sen. Adam Schiff proposes legislation to limit Pentagon use of AI without human oversight

Sen. Adam Schiff (D-Calif.) has introduced legislation aimed at placing new limits on the Pentagon’s use of artificial intelligence, requiring meaningful human involvement in military decisions and prohibiting the technology from being used for domestic surveillance. The proposal comes as lawmakers from both parties debate how quickly AI should be integrated into national security operations amid concerns about accountability and civil liberties. The effort follows similar proposals advanced by Sens. Kirsten Gillibrand, Elissa Slotkin, Chris Coons and Jack Reed, with several lawmakers looking to attach AI-related provisions to the annual defense authorization bill.

The Human Authority in Lethal Operations Act addresses the rising integration of autonomous and semi-autonomous combat and surveillance tools. Under the proposal, military personnel authorizing force with these systems must maintain exhaustive logs of their decision-making processes, including how targets are chosen, and subject the software to formal regulatory reviews.

Schiff’s measure would build on existing Defense Department policies by making safeguards a matter of law. The legislation seeks to ensure that humans retain authority over life-and-death decisions involving weapons systems and responds to growing concerns over fully autonomous capabilities. The push gained momentum after a dispute between the Pentagon and AI company Anthropic over the potential use of its technology in autonomous weapons and mass surveillance. Anthropic resisted broader military terms and later challenged the government in court after being labeled a supply-chain risk. The episode intensified calls in Congress to establish statutory limits rather than rely solely on internal policies or agreements with technology companies.

Proponents of the legislation argue that vital combat decisions must ultimately stay tethered to human judgment. While acknowledging the logistical benefits of computational technology, lawmakers emphasize that automated tools require boundaries when human lives are at stake. As Schiff noted during the rollout, “There are good reasons to use AI technology to advance our national security,” but “we cannot depend on technology alone to guide us, particularly when the risks of harm can be fatal.”

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Justice Department expands effort to revoke citizenship of 17 individuals accused of fraud

On Monday, the Trump administration unveiled its most extensive move to date to strip citizenship from foreign-born Americans, bringing federal legal complaints against 17 individuals accused of serious crimes and immigration deception.

Handled by the Justice Department across various federal district courts, the civil lawsuits mark a significant scaling up of an aggressive denaturalization policy. Federal authorities allege the targets concealed disqualifying criminal records, ranging from child sexual abuse and drug trafficking to extensive financial fraud, when applying to become American citizens.

The actions stem from a June 2025 memorandum issued by Assistant Attorney General Brett Shumate directing the Civil Division to make denaturalization one of its top priorities. The guidance instructs attorneys to pursue cases involving terrorism, gang activity, human trafficking, war crimes, major fraud and other serious misconduct, while also allowing prosecutors discretion to bring additional cases supported by evidence. Justice Department officials have described the effort as intended to protect the integrity of the naturalization process and public safety.

<Denaturalization cases are handled through civil proceedings and require the government to prove that citizenship was obtained illegally or through misrepresentation. Legal experts note that such actions have historically been rare because they are resource-intensive and subject to strict judicial review. Previous administrations pursued similar cases, but recent filings represent a significant increase, with dozens of actions brought since Trump returned to office and hundreds of additional cases reportedly under review.

Top administration officials framed the enforcement surge as an essential component of a broader mandate to restore systemic compliance. Acting Attorney General Todd Blanche emphasized the administration’s strict posture regarding the integrity of the process, stating, “Criminal aliens are lying about their past crimes, including drug dealers, sexual predators, and fraudsters.” Echoing the directive, Homeland Security Secretary Markwayne Mullin affirmed that the administration would continue to maximize available legal pathways, declaring, “American citizenship is a privilege, and it must be earned honestly. If you come here, break our laws, and lie in your immigration proceedings, you forfeit that privilege.”

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Country Daypop

See Shaboozey’s new video for “Cowgirl” featuring “Summer House” star Ciara Miller

Shaboozey has released his new single “Cowgirl”, which arrived with a cinematic music video starring ‘Summer House’ reality star, Ciara Miller.

The video for ‘Cowgirl’ arrives as the latest preview of Shaboozey’s upcoming concept album, The Outlaw Cherie Lee & Other Western Tales, which is scheduled for release on July 31. According to a press release, the album is a multi-year project structured as a continuous Western narrative exploring themes of revenge, romance, and redemption.

Co-directed by Shaboozey and Logan Meis, the visual presents a narrative-driven tale of vengeance set in the old West, with Miller taking a leading role in of ‘Cherie Lee’ – an outlaw heroine seeking retribution against a gang called the Bootcut Boys. Shaboozey desribed the premise on social media, noting, “The outlaws took everything. She took it personal. Tonight, “Cowgirl” tells the story of Cherie Lee. Starring the incredible @ciaramiller___” Meanwhile Miller subsequently acknowledged the role, stating, “I’m the cowgirl.”

Miller’s appearance marks another high-profile opportunity in a year that has seen her take on new TV, hosting and brand partnership roles. Her performance in “Cowgirl” drew widespread attention online, with many viewers praising her portrayal of the video’s central character and the cinematic scope of the production.

Presave The Outlaw Cherie Lee & Other Western Tales HERE.

See the video for ‘Cowgirl’ – HERE.

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Country Daypop

Taylor Swift’s ‘Toy Story 5’ song “I Knew It, I Knew You” sparks record-setting streaming surge upon debut

Taylor Swift has rewritten the record books across multiple major digital platforms with the release of her original song written for Disney and Pixar’s upcoming film “Toy Story 5,” set  to arrive in theaters on June 19.

The country-style track, titled “I Knew It, I Knew You,” was released on Friday, June 5. Swift co-wrote and co-produced the song with longtime collaborator Jack Antonoff, marking Swift’s first new music since the release of her album “The Life of a Showgirl.” The emotional ballad draws heavily from traditional country instrumentation, featuring acoustic guitar, banjo, harmonica, and pedal steel guitar, with the lyrics centering on themes of reconciliation and rediscovery, reflecting the character arc of Jessie, the franchise’s cowgirl rag doll.

The release of I Knew It, I Knew You triggered historic single-day metrics across the music industry’s principal streaming services. On Spotify, the tracking window concluded with the song securing the title of “the most-streamed country song in a single day by a female artist in Spotify history.” Concurrently, Apple Music data designated the track as its highest-performing country release of 2026, while also establishing the platform’s “all-time record for the biggest soundtrack single, based on first-day plays.” Global performance tallies from Amazon Music mirrored these results, confirming the piece earned “the biggest first 24-hour streaming debut globally for any song” across its network this year.

Upon the song’s release, Swift shared a video of herself as a child dressed as a cowgirl on social media, revealing that she has been a fan of the Pixar franchise since the original film debuted when she was a toddler.  She said that an early screening of the fifth installment sparked immediate creative inspiration: “writing this song felt like a musical departure and coming home at the same time. Creating something for Jessie was a new challenge and also felt like second nature all at once. And being a @toystory kid from the age of 5 til now… is an adventure I plan to be on, to infinity and beyond. Thank you to the brilliant Andrew Stanton for imagining me for this, all those years ago when you wrote this newest film. Thank you to the incomparable @randynewmanofficial for the gorgeous sonic tapestry of songs and scores you’ve meticulously woven over the years. You created the Toy Story musical world, and we are lucky to get to live in it. By we, I mean myself and my pal @jackantonoff. We wrote this with so much adoration for these characters that made us laugh and helped us learn lessons and think outside the backyard all throughout our childhoods”

‘Toy Story 5’ director Andrew Stanton also praised Swift’s contribution, saying her understanding of Jessie’s character made the song feel like a natural part of the “Toy Story” universe. He noted that Swift immediately grasped the character’s emotional state, and the track seamlessly integrated into the movie’s universe, remarking that “on first listen, it instantly felt like it had always belonged there, like a long-lost family member. It was kismet.”

“Toy Story 5” is scheduled for global theatrical release on June 19; and“I Knew It, I Knew You” will appear on the official “Toy Story 5” soundtrack. Stream the single HERE.

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