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Charli xcx joined by John Cale in the video for ‘House’ for Wuthering Heights soundtrack

Charli XCX is joined by Former Velvet Underground musician John Cale on the song ‘House,’ that will be included on the soundtrack for Emerald Fennell’s upcoming film Wuthering Heights.

Charli posted on Instagram: “new original songs by me for Emerald Fennell’s “Wuthering Heights” starring Margot Robbie and Jacob Elordi. in theatres february 14th. happy early valentines <3”

Charli XCX is creating new original songs for the feature film, Fennell’s adaptation of the famed 1847 Emily Brontë novel starring Margot Robbie as Catherine Earnshaw and Jacob Elordi as Heathcliff.  The film also stars Hong Chou, Shazad Latif and Alison Oliver, which is scored by Anthony Willis (who also scored Fennell’s first two features – 2020’s Promising Young Woman and 2023’s Saltburn.) Wuthering Heights premieres in theaters on February 14, 2026.

Charli XCX wrote in a note posted to X: “A few years ago I watched Todd Haynes’ documentary about The Velvet Underground. As many of you know I’m a huge fan of the band and was really taken by the documentary. One thing that stuck with me was how John Cale described a key sonic requirement of The Velvet Underground. That any song had to be both ‘elegant and brutal.’  When the summer ended I was still ruminating on John’s words. So I decided to reach out to him to get his opinion on the songs that his phrase had so deeply inspired, but also to see whether he might want to collaborate on any…I sent him some songs and we started talking specifically about ‘House.’ We spoke about the idea of a poem. He recorded something and sent it to me. Something that only John could do. And it was… well, it made me cry.”

The accompanying video for ‘House’ was directed by Mitch Ryan (who also helmed Charli XCX’s “Party 4 U” clip earlier this year) and stars both Charli and Cale as dark, shadowy figures.

See the video for ‘House’- HERE.

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Trump administration blocked from deploying California National Guard in Los Angeles

A federal judge has ordered the Trump administration to relinquish control of California National Guard troops deployed in Los Angeles, ruling that the federalization of the state’s Guard units violated longstanding limits on presidential power.

Senior U.S. District Judge Charles Breyer issued the  35-page ruling on Wednesday in San Francisco, granting California’s request for an injunction but delaying its effect until Monday to allow the Justice Department time to appeal. The ruling marks the second time Breyer has sided with state officials who challenged President Donald Trump’s move to deploy Guard members without the governor’s approval.

The Trump administration originally sent more than 2,000 troops to Los Angeles in June, citing unrest surrounding protests against Trump’s immigration enforcement agenda. Although the number dropped to roughly 100 by late fall, the White House extended the deployment into February and attempted to reassign additional California Guard personnel to Portland, Oregon, over objections from local leaders.

State officials argued that conditions had changed dramatically since the initial activation, and that the president was effectively using Guard members as a federal police force. They said such actions ran afoul of the Posse Comitatus Act and exceeded the circumstances in which a president may seize control of state units. Breyer agreed, writing, “The Founders designed our government to be a system of checks and balances. Defendants, however, make clear that the only check they want is a blank one.”

The Justice Department maintained that troops were still needed to safeguard federal personnel and facilities. In court filings, administration lawyers argued that protests and sporadic violence made it impossible to carry out federal law with ordinary resources. But Breyer rejected the claim that such assertions placed the president beyond judicial review, concluding the legal threshold for federalization had not been met. “Without a demonstration that the President’s ability to execute the law is currently being impeded at the time of deployment, he lacks adequate grounds for federalization,” he wrote.

Breyer’s latest decision halts an extension that would have kept about 300 California Guard members under federal control, with many stationed in Oregon and the remainder still in Southern California. California Governor Gavin Newsom—who sued along with Attorney General Rob Bonta—welcomed the outcome, while Los Angeles leaders reiterated there was never a legitimate emergency requiring military intervention. Newsom said, “Trump is unlawfully using the military to terrorize Americans,” and Mayor Karen Bass added that “Los Angeles will not buckle and we will not break.”  Unless an appellate court intervenes, command of the Guard will revert to Gov. Newsom early next week,

The dispute is part of a broader legal battle over Trump’s efforts to send military forces into Democratic-led cities. Courts have already blocked similar deployments to Portland and Chicago, and the Supreme Court is currently weighing an emergency appeal related to troops sent to Illinois.

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Fed. judge grants request to unseal Epstein grand jury files in NY

A federal judge in New York has ordered the DOJ to unseal grand jury materials and investigative records from Jeffrey Epstein’s 2019 sex-trafficking case.

U.S. District Judge Richard Berman issued the four-page ruling Wednesday, becoming the third federal judge in a week to grant similar DOJ requests following passage of the Epstein Files Transparency Act last month. The law requires the department to publicly release materials related to past federal investigations of Epstein and his longtime associate, Ghislaine Maxwell.

Berman said the statute’s language leaves little room for interpretation, calling it “clear” and emphasizing that Congress intended to override traditional grand jury secrecy. “The Court hereby grants the Government’s motion in accordance with the Epstein Files Transparency Act and with the unequivocal right of Epstein victims to have their identity and privacy protected,” he wrote. He also noted that attorneys for survivors stressed that disclosure “CANNOT come at the expense of the privacy, safety, and protection of sexual abuse and sex trafficking victims.”

The ruling follows similar decisions issued Tuesday by Judge Paul Engelmayer, who approved the release of a “voluminous” set of Maxwell grand jury materials in New York, and last week by Judge Rodney Smith in Florida, who authorized unsealing records from the mid-2000s federal probes into Epstein. All three judges required the redaction of victims’ identifying information and sensitive personal details.

Berman had previously rejected the DOJ’s request in August—before the law existed—arguing that the department had not met the legal threshold for unsealing grand jury testimony and already possessed a substantial investigative record. At the time, he pointed out that “the Government’s 100,000 pages of Epstein files and materials dwarf the 70 odd pages of Epstein grand jury materials,” and cited possible risks to victims’ privacy.

But he said Wednesday that the new statute resolves those concerns, referencing a 2004 precedent holding that when a law’s text is unambiguous, courts must follow it. The act requires that records be made public “not later than 30 days” after its Nov. 19 enactment, setting a Dec. 19 deadline for disclosure.

The renewed push to release the files gained bipartisan momentum in Congress after years of controversy over how federal authorities handled Epstein’s earlier cases. The political debate intensified this summer as the administration faced internal divisions over the issue. In July, the president criticized supporters pressing for release of the documents, calling them “weaklings,” before later urging Republicans to back the bill once its passage became certain.

The Justice Department has not announced when the newly unsealed materials will be made available. Epstein died by suicide in a Manhattan jail in 2019 while awaiting trial, a death that has fueled persistent conspiracy theories and renewed scrutiny of the handling of his case.

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Country Daypop

Trace Adkins shares the holiday ballad ‘One More Christmas’

Trace Adkins has released his brand-new original Christmas song ‘One More Christmas’, co-written by Adkins alongside Derek George and Monty Criswell.

Produced by George, the track comes shortly after Adkins appeared on NBC’s ‘Christmas in Nashville’ holiday special, where he performed ‘Naughty List’ for the first time alongside the classic ‘White Christmas’.  The special, hosted by Trisha Yearwood and filmed in front of a live audience at Category 10 in Nashville, also featured performances from The War and Treaty, Bill Murray & His Blood Brothers, Lauren Alaina and Ne-Yo, and is available to stream on Peacock.

See the lyric video for ‘One More Christmas’ – HERE.
Stream One More Christmas HERE.

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2026 Critics Choice Awards nominations: ‘Sinners’ leads with 17 nods

The 2026 Critics Choice Awards nominations were announced, with the horror film ‘Sinners’ leading with 17 nominations, and the Netflix limited series ‘Adolescence’ leading the television nominees with 6 nods.

Ryan Coogler’s Sinners received a total of 17 nominations – just one shy of the record held by 2024’s Barbie movie. The nominations for Sinners are in categories including Best Picture, Best Director (Ryan Coogler), and Best Actor (Michael B. Jordan).

Other top film nominees include ‘One Battle After Another’ with 14 nominations, ‘Hamnet’ and ‘Frankenstein’ with 11 nods each; ‘Marty Supreme’ with 8 noms; and ‘F1,’ ‘Sentimental Value,’ and ‘Wicked: For Good’ with 7 nominations apiece.

‘Adolescence’ secured nominations for Best Limited Series, as well as acting nominations for Stephen Graham, Owen Cooper, Ashley Walters, Erin Doherty, and Christine Tremarco. Other leading TV nominees include ‘Nobody Wants This’ with 5 nominations, in addition to ‘All Her Fault,’ ‘Death by Lightning,’ ‘Ghosts,’ ‘Hacks,’ ‘Severance,’ ‘The Diplomat,’ and ‘The Pitt’ each with 4 nominations.

The 2026 Critics Choice Awards also has added four new categories to this year’s celebration of critics’ picks for the best in film and TV: best variety series, stunt design, casting/ensemble and sound.

Chelsea Handler will once again serve as host of the 2026 Critics Choice Awards, airing live from the Barker Hangar in Santa Monica, Calif on Jan. 4, 2026 – marking Handler’s fourth consecutive year as host. Handler said in a statement: “Kicking off the year with the Critics Choice Awards feels right.  Nothing says ‘new beginnings’ like a room full of critics ready to tell you how you did last year.”

The 31st Critics Choice Awards airs live on Sunday, Jan. 4 from Santa Monica’s Barker Hangar on E! and USA from 7-10 p.m. ET and PT. For a full list of nominees, visit the official Critics Choice website.

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See Timothée Chalamet in the new trailer for “Marty Supreme”

A24 released the new official trailer for their upcoming drama “Marty Supreme” starring Timothée Chalamet as the titular Marty Supreme.

Director Josh Safide co-wrote the film with Ronald Bronstein, which also stars Gwyneth Paltrow as Kay Stone, Odessa A’zion as Rachel, Kevin O’Leary as Milton Rockwell, Tyler Okonma aka Tyler the Creator as Wally, Abel Ferrara as Ezra, and Fran Drescher as Mrs. Mauser.

The video introduces Chalamet as Marty Mauser, a table tennis player who’s very determined to fulfill his dreams of making it big in the world of sports. His character is loosely inspired by Marty Reisman, who was a champion table tennis player who started as a hustler in New York City playing for bets and prize money.

Marty (Chalamet) is described as a hustler and table tennis star who “goes to hell and back in his pursuit of greatness.” That pursuit involves making enough money to care for his mother, wooing a couple of women and getting on the cover of a Wheaties box for his ping-pong skills.

“Marty Supreme” premiered at the New York Film Festival to critical acclaim, and is set for theatrical release on Dec. 25; see the trailer: HERE.

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Country Daypop

Listen to Jessie Murph’s latest single “I’m Not There For You”

Jessie Murph has shared her new single “I’m Not There For You,” which she originally wrote at just 17 years old.

The now-21 year old Jessie teased “I’m Not There For You” online in 2022, and it quickly became a fan-favorite – accumulating over 100,000 TikTok creations

The new release comes on the heels of Jessie’s sophomore album ‘Sex Hysteria’, which dropped in July 2025 and debuted at No. 8 on the Billboard 200 Chart, marking her first top ten album. The 15-track project featured collaborations with Gucci Mane and Lil Baby, following previous successful collaborations including Jelly Roll and Koe Wetzel.

Jessie also embarked on the Worldwide Hysteria Tour across the United States and Canada, with sold-out dates in Australia and New Zealand to round out the year.

Stream ‘I’m Not There For You’ – HERE.

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Fed. judge grants release of grand jury evidence in Ghislaine Maxwell case

A federal judge in New York has authorized the Justice Department to release the grand jury transcripts and other sealed evidence from the prosecution of Ghislaine Maxwell, ruling that Congress’ newly enacted Epstein Files Transparency Act requires the material to be made public.

U.S. District Judge Paul Engelmayer issued the order Tuesday, concluding in a 24-page decision that the law passed last month “unambiguously applies” to the discovery prosecutors turned over to Maxwell’s defense before her 2021 trial. The measure, signed by President Donald Trump, directs the Justice Department to disclose all Epstein-related investigative files—subject to limited exemptions—within 30 days of its passage.

The decision allows the department to seek modifications to the longstanding protective order in Maxwell’s case so it can post previously sealed records, including grand jury testimony, search warrant files, financial records, travel logs, photos, and interview reports. However, Engelmayer emphasized that victim information must remain protected and that any identifying details must be removed before release. He added specific safeguards, including a requirement that the U.S. attorney for the Southern District of New York “personally certify in a sworn declaration” that the department has thoroughly reviewed the files and protected victims’ identities. The additional scrutiny, he wrote, is necessary because the Justice Department, while claiming to consider victims’ privacy, has “not treated them with the solicitude they deserve” and has provided “lip service” to their concerns—especially given its earlier efforts to unseal materials without notifying the victims.

While Engelmayer authorized the release, he also stressed that the grand jury evidence in the Maxwell matter is unlikely to reveal significant new details. The panels heard only “summary testimony from two law enforcement officials,” he wrote, and nearly all of the material was already introduced at Maxwell’s 2021 trial.

Epstein, a wealthy financier accused of running a years-long sex-trafficking operation, died in a Manhattan jail in 2019 while awaiting trial. Maxwell was convicted two years later on federal charges including conspiracy and sex trafficking of a minor, and is serving a 20-year federal sentence. She told the court she would not formally oppose the Justice Department’s request. But her lawyers argued that releasing grand jury transcripts containing “untested and unproven allegations” could influence public opinion to the extent that a fair retrial—should she prevail on her forthcoming habeas petition—would be impossible. The Supreme Court rejected Maxwell’s earlier attempt to overturn her conviction, but her attorney has signaled she intends to file another petition challenging the verdict.

The Justice Department has not yet announced a timetable for releasing the files, though the law requires publication by mid-December.

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Coalition of advocacy groups file lawsuit against Trump Admin. to disclose legal justification behind Venezuelan boat strikes

A bipartisan trio of former federal ethics officials and several major civil liberties groups are pressing for internal scrutiny—and public disclosure—of the Justice Department memo that authorized a series of lethal U.S. military strikes on suspected drug-smuggling boats in the Caribbean and eastern Pacific. Senate Judiciary Committee Democrats have separately requested the Department’s legal analysis, writing that the killings raise significant questions about “adequate legal guidance” provided to military decision-makers.

U.S. forces have executed more than 20 such strikes since early September, killing over 80 people. President Trump has defended the campaign as lawful and necessary, saying drug shipments represent an “armed attack” on Americans. “We have legal authority. We’re allowed to do that”.

In a letter sent Tuesday, Norm Eisen, Richard Painter and Virginia Canter urged the Justice Department’s Office of Professional Responsibility to launch an “immediate investigation” into whether attorneys in the Office of Legal Counsel (OLC) violated professional standards when drafting guidance that, according to a Washington Post report, concluded that “personnel taking part in military strikes on alleged drug-trafficking boats in Latin America would not be exposed to future prosecution.”

The officials argued that the opinion effectively granted “free rein for the government to murder and assassinate foreign civilians,” and questioned whether the OLC acted independently or simply ratified the administration’s position. They also challenged the Trump administration’s assertion that the U.S. is engaged in a “non-international armed conflict” with drug cartels—an argument legal scholars have repeatedly disputed.

Eisen told CBS News that experts agree the legal foundation for the strikes “does not withstand basic scrutiny.” Painter added that the OLC appears to have provided little more than a political “fig leaf.” A Justice Department spokesperson, however, said the operations were conducted “consistent with the law of armed conflict.”

Also on Tuesday, the ACLU, the New York Civil Liberties Union, and the Center for Constitutional Rights filed a federal lawsuit seeking immediate access to the OLC opinion and related documents. The complaint argues that the public has a right to understand how the government justifies what the organizations describe as illegal killings outside any recognized armed conflict. Jeffrey Stein of the ACLU said the strikes represent “cold-blooded murder of civilians,” and that those responsible should not be handed a “‘Get Out of Jail Free card.’”

In their lawsuit, the civil liberties groups argue the government’s refusal to release the legal memo prevents meaningful public oversight, noting that previous administrations have disclosed legal rationales for sensitive military operations after redacting classified details. The ACLU emphasized that under both U.S. and international law, “non-lethal measures” must be attempted before force is used and that summarily killing individuals merely suspected of drug smuggling is unlawful.

Their suit asks a federal court to order the Justice, State, and Defense Departments—now renamed the Department of War—to conduct a full search for records and release them “immediately.”

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Country Daypop

Maddie & Tae announce split after 15 years together professionally

Country music duo Maddie & Tae have announced they are splitting professionally after 15 years. The duo confirmed the news via PEOPLE, stating that they prefer to call it a “split” rather than a “breakup,” as they remain close friends.

Tae Dye Kerr shared that it’s been “such a hard, hard — honestly, heartbreaking — decision. This was the only dream I’ve ever had since I exited the womb. I had a very specific vision of creating music and singing music. When we met at 15, that’s what we set out to do, and we’re both just so grateful that we’ve had the journey we’ve had.  This career has been everything we’ve ever wanted.”

Maddie Font added: “We’re leaving this so open-ended because, you know, we might make another record one day. We might go do some tour dates one day. Even though we’re not gonna go on this journey as Maddie & Tae together, we’re still walking and doing life together outside of it, and I think I’m really excited to just be best friends and nurture our friendship and not have to worry as much about the work and still get to raise our babies together. None of that changes.”

Font is launching a solo career, while Kerr plans to put her career on hold to focus on her family.  The two reiterated that their close friendship is intact, and they plan to honor their remaining live show commitments, which extend into next spring.

The duo later shared on social media: “Thank you for all the love as we step into this new bittersweet chapter. We both feel overwhelmed with gratitude for what we’ve built with y’all the last 12 years. Thank you for making our wildest dreams come true and we hope you stay close by to watch us chase some new dreams 🤍 We love you so much and hope you still come shake ya booty with us on tour next year 🤟🏼

Maddie & Tae launched their career with 2014’s “Girl in a Country Song,” which topped the Billboard Country Airplay chart – making them the first female duo with a debut single to hit No. 1 on the Country Airplay chart since 2006.  The ladies released their last album, Love & Light, back in May.

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